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!! 99 00 88 Photos 2007 www.photospin.com !! 99 00 88 Photos 2007 www.photospin.com You are returned to the Contact Sheet II dialog box. 8 Type the width, height, and resolution for your printed contact sheet. 9 Type a number for the columns and rows of thumbnails to be printed. 0 Select the font and font size for the printed filename. ! Click OK. Photoshop builds and displays your contact sheet. 193Chapter 9: Giving Your Images a Professional Presentation Caution! The Flatten All Layers command in the Contact Sheet II dialog box flattens the individual photo layers into one so that it prints more quickly. If you deselect the box, Photoshop creates a large, multilayered document and requires large amounts of RAM. Did You Know? A document resolution of 150 dpi is sufficient because the thumbnails are so small that the higher resolution would not be a visible improvement. Also, the Contact Sheet II command runs much faster with low- resolution images. More Options! To make a contact sheet for a CD/DVD jewel case, type 4.688 inches for both the width and height. Type 5 in each data field for the number of rows and columns. Select 6-point type to fit the text under the thumbnail.

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MAKE A CONTACT SHEET of your photos Your digital files are like digital negatives. Whether these are photos from a digital camera or scans of traditional prints and negatives, the first file downloaded or scanned is the original. You should always burn a CD or DVD of the originals before you enhance them or use them in projects. Then use the Contact Sheet II feature under Photoshop s Automate command to make a contact sheet to help you identify the images on the CD, DVD, or other storage device. You can also make an index of all the images in one project folder using the same command. In the Contact Sheet II dialog box, you select the location and the images to be included. You determine the size of the document, the number of rows and columns, and the font and font size for the captions. The size of the thumbnails is constrained by the number of rows and columns. Fewer columns and rows on a page allows for larger thumbnail images. Print the contact sheet on a color printer as a visual index to show a client or for your own reference. 11 44 77 66 33 22 55 192 1 Click File. 2 Click Automate. 3 Click Contact Sheet II. Note: You can also select the images first in the Bridge and click Tools. Photoshop . Contact Sheet II. l The Contact Sheet II dialog box appears. 4 Click here and select Folder. 5 Click Choose. A directory dialog box opens. 6 Navigate to and click your photo folder. 7 Click Choose.

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Make a FRAME FROM A PHOTOGRAPH You may have a photo with more background area than necessary. Rather than crop the photo, you can transform the excess background into a frame for the central focus of the image. Making a frame from the photograph itself is a quick way to give a finished look to any image. You select the area of the photo that you would otherwise crop and then invert the selection to create the frame. You can vary the frame shape by using the Elliptical Marquee tool to create an oval frame. To do so, jump the selected area to its own layer above the Background layer and change the blend mode to Screen to lighten it. To separate the frame from the photo even more, you stroke the borders of the new frame layer by applying a layer style. The Layer Style dialog box includes a stroke option with red as the default color; however, you can change it to any color that fits your image. As a final touch, add a drop shadow and an inner shadow, and even a bevel and emboss look. 33 44 88 55 11 22 @@ 00 77 ## ## 99 $$ 66 Photo 2007 www.photospin.com 1 Click the Rectangular Marquee tool. 2 Click and drag a large rectangle in the photo to delineate the frame. 3 Click Select. 4 Click Inverse. 5 Press +J (Ctrl+J) to jump the selection to its own layer. 6 Click here and select Screen. 7 Click here. 8 Click Stroke. 9 When the Layer Style dialog box appears, move it to see the image. 0 Click the Color thumbnail. The Color Picker appears. ! Set the color to white and click OK to close the Color Picker. @ Click and drag the Size slider to increase the thickness. # Click Drop Shadow, Inner Shadow, and Bevel and Emboss. $ Click OK. The layer style gives the appearance of a realistic frame. 191Chapter 9

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Add traditional PHOTO CORNERS You can add interest and give a finished look to your photographs by adding photo corners to your digital images. You can add these corners easily and quickly using an action from the Actions palette in Photoshop. An action is a prerecorded set of commands that are automatically performed in the same sequence when you click the Play button. Photoshop enables you to record your own actions and also provides a number of predefined actions that are installed with the application. When you first open Photoshop and click the Actions palette tab, you find a folder called Default Actions. In the drop-down list of the Actions palette, there are seven other action folders as well. To create photo corners, you first load the Frames actions and then use the Photo Corners type of frame. Actions are stored as ATN files in the Photoshop Actions folder in the Presets folder. 22 33 55 66 44 77 88 190 1 Open a photo or image. 2 Double-click the Hand tool to make the image fit the screen. 3 Click here to open the Actions palette. 4 Click here. 5 Click Frames. The Frames actions are loaded. 6 Scroll down to Photo Corners. 7 Click Photo Corners. 8 Click the Play button. Photoshop plays the action and places photo corners on the image.

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Add Traditional Photo Corners . . . . . . . . . . . . . . . . . . . . 190 Make a Frame from a Photograph . . . . . . . . . . . . . . . . . 191 Make a Contact Sheet of Your Photos . . . . . . . . . . . . . . 192 Create a PDF Slideshow Presentation. . . . . . . . . . . . . . . 194 Create a Web Photo Gallery with Your Copyright . . . . . 196 Give a Photo an Artistic Edge . . . . . . . . . . . . . . . . . . . . . 198 Create a Custom Slide Template. . . . . . . . . . . . . . . . . . . 200 Create Your Own Custom Edge. . . . . . . . . . . . . . . . . . . . 202 Make One Photo Look Like Many Combined Snapshots. . . . . . . . . . . . . . . . . . . . . . . . . . . . 204 Make a Photo Look Like a Gallery Print . . . . . . . . . . . . . 206

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Giving Your Images a Professional Presentation Presentation is so important that even an average photo can appear good when properly displayed or framed. For professional designers, a powerful presentation can help keep an art director happy. For photographers, an elegant display can make all the difference in keeping a client or securing a new one. From the family snapshots to your portfolio, Photoshop makes it easy to show your images in a professional manner. You can add frames to enhance any image with minimal effort using the one-click frame actions included with Photoshop. You can also create your own frames, change the frame colors and borders, and add a visual matte to the photo. You can create a traditional contact sheet of all the photos in one client folder or on one CD. Using Photoshop s PDF Presentation command, you can easily prepare a custom slideshow with professional transitions, save it as a PDF document, and send it to friends or clients as an email attachment. You can create custom backgrounds to display your images or, for a novel effect, place your images into a traditional slide template. Photoshop can also help you apply an artistic edge to a photo using a sequence of filters from the Filter Gallery, or you can brush an artistic edge onto any images by hand using the Brush tool. You can even use the Picture Package feature to prepare a design layout using different photos for each page. With Photoshop, you can display all your images with a professional touch.

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The Filter Gallery appears with the Texturizer filter. u Click here and select Sandstone. uu pp oo ii i Click and drag the Scaling and Relief sliders to look like rough watercolor paper. o Click OK. The filter is applied to the top layer. p Click here and select Screen. The painting is lightened and looks more like a traditional watercolor. 187Chapter 8: Creating Digital Artwork from Photographs Did You Know? The paint strokes appear more realistic if you click and drag in the document using short strokes in the same direction as the objects in the image. Paint vertical objects with vertical strokes and horizontal items with horizontal strokes. Change It! With the Eraser tool selected, click the Brushes tab to open the Brushes palette. Click the word Texture in the brush presets to highlight it. Make changes to the scale, depth, or pattern to add texture to your brush. Important! Photoshop s Artistic filters are applied at a fixed size and work best on files smaller than 5MB. Always view your photo at 100 percent to see the effect and wait for the effect to process when changing adjustment sliders.

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Paint a DIGITAL WATERCOLOR Photoshop actually includes a Watercolor filter in the Filter Gallery. This filter generally adds too much black to replicate a traditional watercolor. A true watercolor palette includes only gray and no black paint at all. Because watercolors not only have soft edges but also minimal transitions of color tones, you get the best results by applying the Reduce Noise or the Median filter to the photo before starting to create the painting. These filters are found in the Filter menu under Noise. By applying a filter first, you eliminate some of the color changes and sharp edges that make a photograph look like a photograph. With a limited color palette, the Dry Brush filter creates a more painterly image. Then using the Smart Blur filter after the Dry Brush filter has been applied blends the paints to complete the effect. Traditional watercolor paintings often leave rough edges around the borders and even some blank areas in the painting, so do not completely paint away all the white in the top layer. ** (( && rr yy )) qq ee tt 186 The top layer fills with a translucent white. & Click the Eraser tool. * Click the Brush thumbnail. ( Click a large chalk-style brush. ) Click and drag in the document using short strokes until the painting is visible. q Click the word Opacity and drag to the right to increase the opacity to 100%. w Press +E (Ctrl+E) to merge the two top layers. e Click and drag the new merged Dry Brush copy layer over the New Layer button to duplicate it. r Click Filter. t Click Texture. y Click Texturizer.

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8 Click and drag the Dry Brush layer over the New Layer button to duplicate it. 9 Click Filter . Blur . Smart Blur. 99 @@ !! 00 $$ ## 88 The Smart Blur dialog box appears. 0 Click and drag the Radius slider to about 6 and the Threshold slider to about 50. Note: The numbers are for reference. Your image may require different settings. ! Click here and select High. @ Click OK. # Click the New Layer button to create a new blank layer. $ Click the word Opacity and drag to the left to lower the opacity to 50%. % Press D to reset the default foreground and background colors. ^ Press +Delete (Ctrl+Backspace) to fill the layer with white. 185Chapter 8: Creating Digital Artwork from Photographs Try This! You can make the paper look more like watercolor paper by using an off-white color to fill the top layer. After creating a new blank layer in step 13, click Edit . Fill. The Fill dialog box opens. Click the Use arrow and click Color to make the Color Picker appear. Type 250 for the Red data field, 246 for the Green data field, and 239 for the Blue data field to select a color for the watercolor paper. Click OK to close the Color Picker and click OK again to close the Fill dialog box. Erase carefully over just the objects that you want to show as painted on the image. Areas left blank show through as the watercolor paper.

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Paint a DIGITAL WATERCOLOR Traditional watercolor paintings have transparent colors and loosely defined shapes without black outlines. The surface of the paper often shows through the watercolors to give the image more personality. You can create a digital watercolor from a photograph and make it appear like a traditionally painted image on watercolor paper using a series of filters from the Filter Gallery on separate layers. Start by duplicating the Background layer and applying the first filter. Then duplicate that layer and apply a blur to soften the edges and blend the colors. Add a blank layer over the other layers, fill it with white, and use it as a background to paint through. Using the eraser set to a chalk-styled brush, vary the opacity and erase through the white layer to reveal parts of the filtered layer below. Finish the painting by merging the two top layers and duplicating the merged layer. Apply a Texture filter to create the watercolor paper look. The final step is to lighten the image by setting the layer blend mode to Screen and brighten the watercolor paints. 33 55 66 77 44 22 11 184 1 Click and drag the Background layer over the New Layer button to duplicate it. 2 Double-click the layer name and type Dry Brush. 3 Click Filter. 4 Click Artistic. 5 Click Dry Brush. The Filter Gallery appears with the Dry Brush filter applied in the Preview window. 6 Click and drag the sliders to adjust the Dry Brush appearance. 7 Click OK. The filter is applied to the image.

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